Hacked By Imam with Love
‘Finally Getting the Message: McLuhan’s Media Practice’
A lecture by Graham Larkin given at the Marshall McLuhan Salon, Canadian Embassy, Berlin, in 2011
A publishing research prototype by the Hybrid Publishing Consortium
View the player – https://mcluhan.consortium.io/
The Hybrid Lecture Player is a new open source platform release that allows you to turn lecture documentation into a multi-format publication.
The case study focuses on the long-running video documentation of an insightful lecture by the historian and curator Graham Larkin on Marshall McLuhan’s own experimental publishing and media practice. The player unpacks the lecture’s sections to transform it into a hybrid lecture environment that reveals the knowledge contained in the video in exciting ways, encouraging users to watch it further and engage with McLuhan archives.
When talking about Open Access to technologists, developers etc. the focus quickly shifts to repositories as well as the issue of automated metadata exchange. Essentially repositories are huge document stores that allow for the systematic description of documents with metadata. Additionally contemporary repository systems like DSpace, Fedora, Opus etc. usually provide a standardized OAI-PMH interface allowing data aggregators to harvest data from the repository and to include this data into their own catalogues. That’s an important feature which comes at considerable cost with the above mentioned systems. Even though they are Open Source they are designed for huge collections of Open Access publications and are thus rather complex. Installing and maintaining them easily becomes a full time job.
For small and medium publishers in the area of Open Access DSpace and the like are just too big, too powerful, and too complicated. Thus, we searched for a different solution. And we found one. Continue Reading…
A Hybrid Publishing Consortium research report
by Simon Worthington and Christina Kral
A research case study focused on traces on the archive, revealing the hidden journey of a user through an archive, based on the Marshall McLuhan collection at the McLuhan Salon, Canadian Embassy, Berlin. The case study by the Hybrid Publishing Consortium (HPC), investigates the future of publishing and user engagement with museums, archives and libraries. HPC is dedicated to Open Source software development and enabling cross-media interoperability. Continue Reading…
Future for the Annotation of Digital Objects
Organizer: Dr. Yuk Hui, Simon Worthington, Hybrid Publishing Lab, Centre for Digital Cultures, Leuphana University Lüneburg
Participants: Bob Stein (Institute for the Future of the Book, SocialBook), Christina Kral (A-machine), Claudius Teodorescu (University of Heidelberg), Andre Gaul + Nico (PaperHive), Thomas Kollatz (DARIAH), Paul-Emile Greffroy (IRI of Centre Pompidou), Johannes Wilm (Fidus Writer)
Date: 12th May (midday) – 13th May (evening)
Venue: Centre for Digital Cultures, Sülztorstr. 21–35, 21335 Lüneburg, 2. Floor
In the past decades, the proliferation of digital objects, the emergence of new technologies, and the globalisation of cultural objects, demand new conceptualisations and practices of annotation. Ontologies (formal ontologies, web ontologies) find their limits to fully contextualize the modes of existence of digital objects, since most of them are still derived from a narrow reflection and without considering the nature of the digital. Annotation finds its place, not only in the sense of assisting information processing and enhancing the searchability of digital objects (for the objects themselves, or in the objects), but also as interaction and concretisation of relations between the users and the objects with which they interact. This recalls us of what the ancient call Scholia, a commentary and annotation practice which finally shaped the scholiast and also the scholar. Annotation in this sense is less about classification, but closely related to learning, meaning that one learns and concretizes his or her knowledge through annotating or writing. With digital technologies, the concept of annotation has to be taken further, since it introduces semantic technologies, collaboration, sharing, recommendation. However annotation is either not taken seriously or shadowed by mere interaction, or slowly taken over by automation as in the case of Google and other semantic technologies. The workshop “Future for the annotation of digital objects”, hosted by the Hybrid Publishing Lab is an attempt to gather researchers from different disciplines, and to look into different practices and tools that have been developed and concerns which have yet to be resolved.
This two days workshop is an occasion to discuss further collaborations among researchers. We will invite international researchers who are working in the field to participate in this workshop, to map the current state of affairs and to look at different approaches to annotation of digital objects. The second aim of the workshop will be to discuss the challenges ahead and to figure out an agenda for development and for collaboration.
Noon – 19H, 12th May
Presentation of individual projects (20 minutes + 10 minutes discussion)
13:15 Introduction: Yuk Hui + Simon Worthington
13:45 -14:15 Simon Worthington + Christina Kral (A-machine)
14:15 -14:45 Claudius Teodorescu (Heidelberg)
14:45 – 15:15 Andre Gaul + Nico (PaperHive)
15:15 – 15:45 Coffee Break
15:45 – 16:15 Thomas Kollatz (DARIAH)
16:15 – 16:45 Paul-Emile Greffroy (IRI of Centre Pompidou)
16:45 – 17:15 Johannes Wilm (Fidus Writer)
Coffee Break 15 Minutes
17:30 – 18:30 Questions and Challenges
10H – 17H, 13th May
10:00 – 11:00 Retake on Questions and Challenges from the last day
11:00 – 12:30 Bob Stein Lecture
12:30 – 13:30 Lunch
13:30 – 16:30 Addressing Problems, Challenges, Collaborations
Inquiries: Dr. Yuk HUI, yuk.hui[a]leuphana.de/ Simon Worthington, simon[a]metamute.org
Download Program and Abstracts
Presentation of the Hybrid Lecture Player by the Hybrid Publishing Consortium at the annual Libre Graphics Meeting. An exploration of the Marshall McLuhan collection held at the McLuhan Salon in the Canadian Embassy, Berlin.
The Hybrid Publishing Consortium is pleased to announce the Hybrid Lecture Player, a new research publishing case study by the Lüneburg (Germany) based lab. It will be presented as part of the Libre Graphics Meeting on April 30, 2015, 13.20pm at the University of Toronto, Canada. Continue Reading…
Book Remixing #03 is the third in a series of workshops for designing and making new types of hybrid books. The hybrid book, or unbound book, is an experiment to investigate what happens once the book is free of its current form of a printed book and usable in multiple and malleable digital forms. Continue Reading…
The recording of the Panel “The Art of Hybrid Publishing” of the Post-Digital Scholar Conference with Florian Cramer (Rotterdam University of Applied Science), Silvio Lorusso (University of Venice) and Stefanie Posavec (Designer), moderated by Minuette Le.
Here you find the recording of the 8th Session of the Post-Digital Scholar Conference on “Books as Data” with : Bernhard Rieder (University of Amsterdam), Adriaan van der Weel (University of Leiden) and Julianne Nyhan (University College London), moderated by Michael Dieter.
Did you miss the Post-Digital Scholar Conference? No problem, here is the recording of the Session 7 on “Post-Digital Publishing”. On Stage: Jeroen Sondervan (Amsterdam University Press), Tariq Goddard (Zero Books), Felix Evert (De Gruyter) and Jonathan Landgrebe (Suhrkamp Verlag), Moderation by Mercedes Bunz.
Today we publish the video recording of the 6th session of the Post-Digital Scholar Conference in Lüneburg. The 6th Session had the title “Scholarly Publishing in the Eye of an Entrepreneur”, with Janneke Adema (Coventry University),
Nathaniel Tkacz (University of Warwick), Armin Beverungen (Leuphana University), Martin Haspelmath (Max Planck Institute) and Helge Peters (Oxford University), moderated by Andreas Krichner (Hybrid Publishing Lab).
The Social Web exerts increasing influence on the daily routines of researchers and offers new opportunities for networking and interdisciplinary collaboration. This includes free access to and exchange of findings and research results. To achieve this opening up of science, obstacles must be removed and barriers overcome. This is reflected in the motto of the Barcamp Science 2.0 “Opening up Science, crossing borders”. The Barcamp will take place on 24 March 2015 in Hamburg, on the eve of this year’s Science 2.0 Conference (25 to 26 March).